Climb the music charts with Cherie Oakley! Cherie is a singer/songwriter and actress known for leading her vocals and talent to some of the biggest acts in music. Starting on stage, Cherie played the lead role of Mary Lennox in The Secret Garden at The Paper Mill Playhouse then going on to star off Broadway in Just One World and played the Narrator in Joseph and the Amazing Technicolor Dream Coat. She now lives in Nashville, slaying the music industry as a recording artist and penning tunes. Cherie received her first #1 as a songwriter with Turn On The Radio, released by Reba McEntire. Make sure you ask her about being on the first season of The Voice where she worked with the legendary Xtina. Cherie loves coaching artists in vocal training, vocal dynamics, and helping to make you shine on
Shows
Book an experience
One-on-One Virtual Experience
Book a 1:1 live virtual experience from a Broadway artist.
A vocal technique coaching is your chance to work one-on-one with an artist to cultivate a strong, healthy, and flexible voice that’s primed to perform 8 times a week.
A dance lesson is your chance to learn a real combo from a Broadway show (suitable for all levels), in a one-on-one setting taught by a triple-threat artist!
A songwriting lesson is your chance to get songwriting advice from your favorite Broadway writer. With their expert feedback, you’re on the road to a hit song!
An audition coaching is your chance to prepare for your next audition with the guidance of an artist. The artist will be sure to share their tips and tricks-of-the-trade with you!
A Career Consultation is your chance to gain valuable insight into the life of a working Broadway professional! You can ask them about their journey to Broadway and get advice how to break into the industry. Talk about auditions, finding your type, agents, and more!
A meet-and-greet is an educational opportunity to ask an artist questions about their career, hear backstage stories, and gain industry advice (if applicable). Meet-and-Greets are 30-minutes in length.
